This week’s port of call on the PGA Tour showcases what golf needs more of, as surely as last week’s stop represented what it has too much of.
The Zurich Classic went to a two-man team format in 2017, becoming the first team event on Tour since 1981. The innovations continue this week as each team selects first-tee walk-up music on the weekend. Assuming Kevin Na doesn’t need an entire symphony before actually hitting the ball, this further enhances the cool vibe in New Orleans.
Just above the doorway through which players walk onto center court at Wimbledon is etched a line from Rudyard Kipling’s celebrated poem If: “If you can meet with Triumph and Disaster / And treat those two imposters just the same.”
Sergio Garcia could make a case for having that same inscription carved into the Sarazen Bridge at Augusta National. Gene’s bridge crosses the pond fronting the 15th green, a journey Garcia himself memorably failed to make with five balls during the opening round of the Masters. He signed for a 13 on the par-5 and shot 81. A second-round 78 gave him the worst-ever two-day total by a defending champion. Only two amateur rookies fared worse.
Golfers who play for a living tend to look at courses the way the rest of us look at office cubicles – just a functional place in which to ply one’s trade. Sure, some feel more comfortable and fit the eye better than others, but you’re there to make money, not study the artistry of the workspace.
Yesterday I posted a photo on Twitter that seemed of interest to many people, though admittedly fewer than were drawn to Mrs. Kanye’s latest overexposed selfie.
It was a handwritten fax I had received from the great Sam Snead. That it was a fax dates the document almost as much as the identify of its author. Snead died May 23, 2002, four days shy of his 90th birthday.
The single page—sent at 6:34 P.M. on July 14, 2000—recounts the eight strokes Snead took on the last hole to lose the 1939 United States Open at Philadelphia Country Club. Sixty-one years had passed and the wound was no less fresh.