Courses are the currency of golf, yet the reality is that most of them are of no value.
To be fair, every course is loved by someone. They anchor communities, commerce, childhood memories, friendships. But from the standpoint of architectural merit, most are products of the Xerox school of golf course design, exhibiting only a faded sameness that you’ve seen previously, and in sharper focus.
Great golf courses are living works of art, so it’s fitting that notions of what constitutes greatness are as subjective as in any other art-form. What is loved by me, may be loathed by thee. Courses – and opinions thereof – are the one thing all golfers share, and the best of them are reminders that the real charm of this game has nothing to do with the PGA Tour or its stars. It lies in the land we walk (or, more often these days, drive).
On the second Sunday in April every year, Augusta National feels less like a golf course than an operating table, upon which men are laid bare and probed for frailties not readily apparent to the naked eye. And no facility in the world does a more thorough job of diagnosing a faint heart, a deficit of intestinal fortitude, an absence of daring.
Those aren’t ailments that will appear on an X-ray or a doctor’s chart, but the final round of the Masters routinely exposes each and every one of them.
Of course, the recent vulnerabilities of Tiger Woods have been more obvious: physical injury, swing woes, personal turmoil — each a test more daunting than anything Amen Corner can pose. By comparison, the crucible of the back nine on Sunday afternoon at the Masters must have seemed a welcome relief.
Two golfers I met this year remain lodged in my memory as 2018 sees itself out, but you won’t find their names in an accounting of FedEx Cup points or on Ryder Cup team rosters.
I met Mark Hensby for dinner in Scottsdale last February. He was four months into a well-documented suspension from the PGA Tour that left him feeling frustrated, angry and anxious to resume his career. In July, I sat beneath the R&A Clubhouse in St. Andrews with Vicente Fernandez, who had traveled from his home in Buenos Aires and successfully qualified for the British Senior Open at the age of 72. He was charming in his old-school manners, thankful for one last shot at golf’s most iconic venue.
They could not be more opposite in disposition, Hensby and Fernandez, but golf has a way of acting like connective tissue to link otherwise wildly disparate people and places. Hensby and Fernandez were two guys who just wanted to play golf.
It’s testament to the enduring appeal of past glories that the two men long considered locks as captain’s picks for the U.S. Ryder Cup team have combined for one victory over the last five years.
Tiger Woods and Phil Mickelson are the most accomplished and durable stars of their generation. It’s been 25 years since America fielded a team that did not include at least one of them, which has rendered unthinkable for many fans the notion of a team without them, if they’re healthy.
Injuries caused Woods to miss three Ryder Cups over the last decade, and when he began his comeback seven months ago he seemed an unlikely bet to be playing this year in Paris. But when Jim Furyk announces his first three captain’s picks on Sept. 4 (the final one comes Sept. 10), Woods will be the most defensible name read aloud.
There are a few elements essential to the character of a major championship.
It starts with the field. If the world’s best consider it optional, it’s not a major. Injuries or indictments are the only acceptable excuses for a player’s absence.
A weepy Jim Nantz retrospective helps too. Granted, his tendency to wring tears from even the most banal Tour stop has cheapened the currency, but viewers must be persuaded that they’re catching glimpses of a significant tournament between the commercials and fluffing of CEOs.
But nothing contributes more to the sense of a major than the golf course. The venue was a vital character in the plots of 2018’s majors. Augusta National, Shinnecock Hills and Carnoustie were not incidental to the action.
Which may explain why – so far, at least – this major feels decidedly minor.
Carnoustie’s charms can be elusive, but its cruelties are readily apparent. The old links has scant aesthetic appeal, no alluring views or heaving dunes. Like the village from which it draws its name, Carnoustie is simple and functional, and that function is simple: stress test the world’s finest golfers until just one remains unbroken.
Sometimes not even the winner emerges unscathed from a cross-examination at Carnoustie. Paul Lawrie, the 1999 champion, sought therapy after his victory was widely dismissed as a gift from a clownish Frenchman.
There’s a reason why the lingering images from recent championships here have been of the vanquished, not the victors: Jean Van de Velde barefoot in Barry Burn, Sergio Garcia doubled over in anguish after his putt to win lipped out.
At Carnoustie Opens, one man’s ecstasy is invariably built on another’s agony.
Not at the 147th Open, however. It was won by Francesco Molinari, not lost by his challengers.
Yesterday I posted a photo on Twitter that seemed of interest to many people, though admittedly fewer than were drawn to Mrs. Kanye’s latest overexposed selfie.
It was a handwritten fax I had received from the great Sam Snead. That it was a fax dates the document almost as much as the identify of its author. Snead died May 23, 2002, four days shy of his 90th birthday.
The single page—sent at 6:34 P.M. on July 14, 2000—recounts the eight strokes Snead took on the last hole to lose the 1939 United States Open at Philadelphia Country Club. Sixty-one years had passed and the wound was no less fresh.