Golf has marketed the virtue of its players for so long that you’d be forgiven for assuming PGA Tour cards come with certificates of moral rectitude.
Until we recently began living under par, “These Guys Are Good” was recited with an almost evangelical fervor. The slogan wasn’t intended to refer only to the quality of play evident on Tour, but also to the not so readily apparent qualities of its members: sportsmanship, humanitarianism, charity.
That branding has two potential snares: Even a trivial divergence from the righteous narrative is magnified, and it denies golf fans the manufactured hatred that thrives in other sports. After all, it’s tough to hate a guy when you only hear about his decency and kindness to puppies.
It was fitting that the 100th PGA Championship was contested on a golf course with all the design variety of a boxing ring. Sunday’s slugfest deserved to be conducted under the Marquis of Queensbury’s rules rather than the U.S. Golf Association’s.
Brooks Koepka confirmed himself as the undisputed heavyweight champion with his second major victory of the year and third in six starts, having sat out the Masters with a wrist injury. His was a decisive win, but it was a win on points.
This was no knockout. The greatest of them all, a man who has been punch drunk and on the ropes for several years, was still on his feet, and until his very last shot was throwing haymakers with a ferocity not seen in a decade.
The debate over unruly crowd behavior at golf tournaments is – much like those troublesome fans – growing louder, increasingly fractious and more persistent. A welcome respite looms at golf’s marquee event.
You probably won’t hear much chatter on that subject during the Masters, chiefly because you won’t hear much of the hecklers either. Enforcing rules that seem outdated is a tradition unlike any other at Augusta National, but one tradition warrants celebrating: A patron who bellows abuse or inanities at a player quickly will feel security on his collar (it’s always a “him”) and swiftly be shown to the street.
You won’t hear Augusta National chairman Fred Ridley asking for patience or acceptance of the lobotomized louts, or requesting that players simply deal with the disruption. Spectators pay to watch the show, not to be part of it. The Masters Committee understands that.
Two things tend to blight sporting careers with a bleak predictability: unforeseen injury and untethered expectations. The psychological toxicity often comes not from the aspirations of the athlete – since those can be managed or adjusted – but from the expectations he cannot control: those of others, the insistent chorus that chirps today about his tremendous potential and tomorrow about his dismal underachieving.
That chorus must now be as familiar a feature of spring as the first birdsong for Rory McIlroy.
Just above the doorway through which players walk onto center court at Wimbledon is etched a line from Rudyard Kipling’s celebrated poem If: “If you can meet with Triumph and Disaster / And treat those two imposters just the same.”
Sergio Garcia could make a case for having that same inscription carved into the Sarazen Bridge at Augusta National. Gene’s bridge crosses the pond fronting the 15th green, a journey Garcia himself memorably failed to make with five balls during the opening round of the Masters. He signed for a 13 on the par-5 and shot 81. A second-round 78 gave him the worst-ever two-day total by a defending champion. Only two amateur rookies fared worse.
There are a handful of constant themes in the Masters script produced every year on the movie set that is Augusta National Golf Club. Drama, of course. Often some tragedy. Scenes of euphoric joy, moments of quiet despair. The occasional old love affair rekindled. A healthy dose of sentimentality. Heroes are abundant, villains invisible.
Heartbreak at the Masters is like a doomed first love affair, the one whose ache never quite dulls. Sure, players can go on to find love in other places — the Opens, a PGA Championship — but the pain of a loss at Augusta National doesn’t ever fully disappear.
Some of that is owed to familiarity. As the Open returns to Carnoustie this summer, Jean Van De Velde will field a flurry of calls to autopsy his 1999 collapse. But at least the Frenchman only has to relive his fiasco every decade or so when the rota returns to the scene of le horreur.
Fail at Augusta National and the ghosts will start whispering every year on the drive down Magnolia Lane.