It’s been 25 years since Medalist Golf Club last appeared on national television, when Shell’s Wonderful World of Golf pitted then-world No. 1 Nick Price against Greg Norman, the world No. 2 and founder of the newly opened club.
On May 24, the exclusive Florida enclave hosts another made-for-TV affair with Tiger Woods and Peyton Manning taking on Phil Mickelson and Tom Brady to raise funds for COVID-19 relief.
In a week when we couldn’t make our way down a padlocked Magnolia Lane, homebound golf fans had to settle instead for memory lane.
Our guides were familiar broadcast voices, many of them — Pat Summerall, Ken Venturi — long stilled. Golf Channel re-aired the 1986 Masters, the Rosetta Stone of major championships that revealed the Sunday strengths of Jack Nicklaus and the comparative frailties even among Hall of Famers in the generation that followed him. Jack was winning too over on CBS, which gave us the epic ’75 Masters, in which he helped Tom Weiskopf and Johnny Miller add to what would ultimately be a combined seven silver salvers. More recent Masters tournaments were also dusted off: ’04, when Phil Mickelson broke his duck and Ernie Els’ heart, and ’19, when an approaching storm moved up tee times and saw Tiger Woods secure his fifth green jacket by Sunday lunchtime (his first jacket was pretty much sealed by Sunday lunchtime too, but that’s another story).
The retro weekend broadcasts — in addition to the Masters YouTube channel, which contains every final round dating back to 1968 — were a welcome fix for quarantined golf junkies who are otherwise denied until November by the COVID-19 crisis. But for me, two streams diverged in a locked down New York City apartment, and I took the one less clicked upon, at least in April. I opted for the only major tournament we know for certain won’t be played this year.
The Open Championship website has every official film since 1970 — Jack won that year too, of course — and it’s a delightful reservoir of the quaint and the quirky. In my quarantine viewing I elected to skip more recent Opens that remain reasonably fresh in the mind, despite the ample wine intake necessary to stomach small town British food those weeks. It’s earlier Opens, those from the ’70s and ’80s, that offer beguiling glimpses of a time when even major golf was less corporate, and pleasant reminders of players long forgotten because they’re either dead or just not brand-building on InstaGrift.
On the second Sunday in April every year, Augusta National feels less like a golf course than an operating table, upon which men are laid bare and probed for frailties not readily apparent to the naked eye. And no facility in the world does a more thorough job of diagnosing a faint heart, a deficit of intestinal fortitude, an absence of daring.
Those aren’t ailments that will appear on an X-ray or a doctor’s chart, but the final round of the Masters routinely exposes each and every one of them.
Of course, the recent vulnerabilities of Tiger Woods have been more obvious: physical injury, swing woes, personal turmoil — each a test more daunting than anything Amen Corner can pose. By comparison, the crucible of the back nine on Sunday afternoon at the Masters must have seemed a welcome relief.
This week’s port of call on the PGA Tour showcases what golf needs more of, as surely as last week’s stop represented what it has too much of.
The Zurich Classic went to a two-man team format in 2017, becoming the first team event on Tour since 1981. The innovations continue this week as each team selects first-tee walk-up music on the weekend. Assuming Kevin Na doesn’t need an entire symphony before actually hitting the ball, this further enhances the cool vibe in New Orleans.
Two things tend to blight sporting careers with a bleak predictability: unforeseen injury and untethered expectations. The psychological toxicity often comes not from the aspirations of the athlete – since those can be managed or adjusted – but from the expectations he cannot control: those of others, the insistent chorus that chirps today about his tremendous potential and tomorrow about his dismal underachieving.
That chorus must now be as familiar a feature of spring as the first birdsong for Rory McIlroy.
Heartbreak at the Masters is like a doomed first love affair, the one whose ache never quite dulls. Sure, players can go on to find love in other places — the Opens, a PGA Championship — but the pain of a loss at Augusta National doesn’t ever fully disappear.
Some of that is owed to familiarity. As the Open returns to Carnoustie this summer, Jean Van De Velde will field a flurry of calls to autopsy his 1999 collapse. But at least the Frenchman only has to relive his fiasco every decade or so when the rota returns to the scene of le horreur.
Fail at Augusta National and the ghosts will start whispering every year on the drive down Magnolia Lane.
Yesterday I posted a photo on Twitter that seemed of interest to many people, though admittedly fewer than were drawn to Mrs. Kanye’s latest overexposed selfie.
It was a handwritten fax I had received from the great Sam Snead. That it was a fax dates the document almost as much as the identify of its author. Snead died May 23, 2002, four days shy of his 90th birthday.
The single page—sent at 6:34 P.M. on July 14, 2000—recounts the eight strokes Snead took on the last hole to lose the 1939 United States Open at Philadelphia Country Club. Sixty-one years had passed and the wound was no less fresh.