The Ryder Cup had its share of weekend thrills for fans, but for players the drama began much earlier. Tuesday evening, to be exact. And not at Le Golf National but seven miles away at the Trianon Palace hotel, which was home to both the U.S. and European teams. That’s when officials from the French Anti-Doping Agency (AFLD) arrived unannounced to conduct random drug tests.
The players had reason to be surprised. It was the first time drug tests were administered at a Ryder Cup. That it happened in Paris should be less surprising. The French take their anti-doping laws seriously. That’s why Lance Armstrong now owns as many Tour de France victories as Jack Nicklaus.
Golf has marketed the virtue of its players for so long that you’d be forgiven for assuming PGA Tour cards come with certificates of moral rectitude.
Until we recently began living under par, “These Guys Are Good” was recited with an almost evangelical fervor. The slogan wasn’t intended to refer only to the quality of play evident on Tour, but also to the not so readily apparent qualities of its members: sportsmanship, humanitarianism, charity.
That branding has two potential snares: Even a trivial divergence from the righteous narrative is magnified, and it denies golf fans the manufactured hatred that thrives in other sports. After all, it’s tough to hate a guy when you only hear about his decency and kindness to puppies.
It was fitting that the 100th PGA Championship was contested on a golf course with all the design variety of a boxing ring. Sunday’s slugfest deserved to be conducted under the Marquis of Queensbury’s rules rather than the U.S. Golf Association’s.
Brooks Koepka confirmed himself as the undisputed heavyweight champion with his second major victory of the year and third in six starts, having sat out the Masters with a wrist injury. His was a decisive win, but it was a win on points.
This was no knockout. The greatest of them all, a man who has been punch drunk and on the ropes for several years, was still on his feet, and until his very last shot was throwing haymakers with a ferocity not seen in a decade.
Carnoustie’s charms can be elusive, but its cruelties are readily apparent. The old links has scant aesthetic appeal, no alluring views or heaving dunes. Like the village from which it draws its name, Carnoustie is simple and functional, and that function is simple: stress test the world’s finest golfers until just one remains unbroken.
Sometimes not even the winner emerges unscathed from a cross-examination at Carnoustie. Paul Lawrie, the 1999 champion, sought therapy after his victory was widely dismissed as a gift from a clownish Frenchman.
There’s a reason why the lingering images from recent championships here have been of the vanquished, not the victors: Jean Van de Velde barefoot in Barry Burn, Sergio Garcia doubled over in anguish after his putt to win lipped out.
At Carnoustie Opens, one man’s ecstasy is invariably built on another’s agony.
Not at the 147th Open, however. It was won by Francesco Molinari, not lost by his challengers.
Two things tend to blight sporting careers with a bleak predictability: unforeseen injury and untethered expectations. The psychological toxicity often comes not from the aspirations of the athlete – since those can be managed or adjusted – but from the expectations he cannot control: those of others, the insistent chorus that chirps today about his tremendous potential and tomorrow about his dismal underachieving.
That chorus must now be as familiar a feature of spring as the first birdsong for Rory McIlroy.
There are a handful of constant themes in the Masters script produced every year on the movie set that is Augusta National Golf Club. Drama, of course. Often some tragedy. Scenes of euphoric joy, moments of quiet despair. The occasional old love affair rekindled. A healthy dose of sentimentality. Heroes are abundant, villains invisible.